
Nupastel on newsprint. Tried to use "paint strokes". Which I think was successful. However the piece itself I'm not particularly impressed with it anymore. Weird proportional flaws, you know the drill.
The moment, the very moment it becomes easy enough to use a scanner again I will. Until then, we're stuck with crumby photos. Also, if I was more apt to finish things. Even sketches. But I'm liking these few. So, subsist.
Whoa ho ho, guess who forgot their paints today. You're looking at 8.5x11 drawing in col-erase. I didn't have anything else bigger. . . ;_; But it's a charming drawing I'd say.
And some drawings from church. Some of these look pretty frightening.
Some Battle Angel Alita copies today. Yukito Kishiro is one of three of what I'd consider the holy trinity of manga. The other two being Otomo Kasuhiro and Shirow Masamune. I've happened upon copies of the Original Alita series so I'm reading it again. Reading it very very slowy, studying the art (as well as the story).
I was depressed for a while. Until I ate something and had a nap. Simply being exhausted is the only cause. But I won't let is ruin today. Sauroposeidon is probably the tallest dinosaur ever. I thought about that when I look up into falling snow the night sky.
I feel like I made some new friends today. Probably one of the more meaningful Valumtimes Days I've ever had. Scary, like a clingy, dark, and rich love type that you've only known so few times. Like you're around someone and you feel like they're going to say something really big. Like it just comes out and suprises me. Also, I feel like I'm at the right place at the right time. I just need to be vigilant. To everyone; keep drawing!
Acrylic on illustration board. Refrence used.
75% of the time I'm drawing from memory. Except that doesn't make any sense. Ever since I started drawing on regular ol' 25 lbs. copier paper things are different. It's not really a skechbook. It's like. . . "run around and think I'm the top of cool book". But really, I'm not.
Recently I've become less afraid to draw in public. So while in public, I draw the public. Which for anyone who hasn't done that yet, you must try it! It is very rewarding.
The hardest part about moving target drawing is not the moving subject. But the stuff in the way of the subject. If I'm trying to draw someone across a hallway from me and someone passes in front of my field of vision, a lose where my eyes were. It's like communication was cut.
This one on the other hand was drawn when the subject was on the other side of a big room. At least 10 yards away. My eyes will scramble information so it's quite difficult. Excellent exercises in simplification.